Parked Car Prayer

CW: suicide

I grew up in funeral homes. I know my eulogy will not be about me but what others think. My family won’t know who to call. They think the uncle I never speak to is more important than a friend they’ve never heard of: East Coast, East LA, and Orange County, I call my sisters.  I know that pan y cafe will be served at five o'clock. The song playing behind the black clothes will be “Somos Una Familia.” Dear God, I should marry a rich man, or woman, or both. But I never leave the house. If I blink, will this become my final destination in Hollywood? Maybe Hollywood and Highland. Maybe buy the chocolates with extra fiber in the pharmacy aisle. Fatass. I should turn off my location. Mama waits at the door with tears and a warning about spiking blood. She told me what was safe for the last twenty years. Youthful adventures at K-mart. I should buy some almonds, a snack to fit in jeans. I am in the “prime of my life.” Why do I feel like the crone on the mountain? La Llorona, broken boundaries, my maternal family's side of Facebook. I am the oldest but always asking for help. My brother is the manager of a Pollo Loco. I can’t manage to drive my car away from this flood. The pink phone charger is cute, but I keep seeing its potential as a rope. I pray for my sanity.

Jaclyn Navar

Jaclyn Navar (she/they) is a Mexican-American writer born in Los Angeles, who has focused on their family’s roots in Durango, Mexico. She is also known for their passion for strawberries, and pink, and her pursuit of archival studies. They are working on their first chapbook, Archivo de la Corazon "Archive of the Heart". She interacts with the space of identity and the world in her poems. She has been featured in ATHENA, The Palouse Review, and Scribendi.

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